It's not also such a grand, distant green that it makes me feel that I must live up to it. Chanel No. 19, for example, does need living up to, especially in the parfum. I love that about it, but it does mean that I don't apply No. 19 to run out to the hardware store - or if I did, I'd feel that I should dig out a pressed white linen shirt and probably at least one piece of jewelry.
Jasmine White Moss, while perfectly comfortable at a nice restaurant, would also be perfectly comfortable at the hardware store. Or an Easter egg hunt. Or a wedding. Or while driving car pool. There's no vamp about this fragrance; it's a Nice Girl.
The consensus in the Perfume Freak world seems to be that this scent is a very good sign of new trends. (Trends also represented by Issey Miyake's A Scent.) It's dry, it's green, it's (somewhat) mossy, and there isn't a peach, apple, strawberry, or pitcher of vanilla syrup anywhere in sight. It recognizes history - for that matter, it may be history, because it's reputed to be a formula started by Estee Lauder in the 1980s. (I pause here to be horrified that the 1980s were almost thirty years ago now.)
In part, I suspect that I bought a bottle to support the trend. But I'm not sorry.
In part, I suspect that I bought a bottle to support the trend. But I'm not sorry.
Review Roundup: Perfume Posse and Now Smell This and Perfume Shrine and Fragrantica and A Mom In Red High Heels and Sniffapalooza and The Scented Salamander and Perfume-Smellin' Things and Grain de Musc and I Smell Therefore I Am and Polish, Platforms, Perfume.
Photo by Kyknoord, Wikimedia Commons. Click for details.
Photo by Kyknoord, Wikimedia Commons. Click for details.
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