SOTD: Parfumerie Generale Cuir d'Iris

The leather craving continues, and today Cuir d'Iris seemed just about right. It still has that weird tanning-potions thing that appeals to the part of my nose that craves freakish and chemical and bug-killing scents.

Then, as it wore off, I sprayed on Cristalle. You'd think that there would be a war, but, nope, it worked really well.

Review Roundup for Cuir d'Iris is here.

Image: By Van Gogh. Wikimedia Commons.

SOTD: Parfumerie Generale Cuir d'Iris

This is lovely. I'm sightly deflated by the knowledge that I can't justify buying this and Iris Oriental and Cuir de Russie. I love all three, and love them differently, but there are just too many common elements. Aren't there?

The beginning is dominated by leather, a particularly standoffish version of the note. I imagine thick, stiff, heavily treated leather - a saddle, perhaps, not a comfortable chair or a fluid pair of gloves. There's an "off" note in it, one that I like at the same time that I find it challenging. Others have referred to the leather as "harsh", and while I wouldn't argue with them, that's not quite how I read it. To my nose, it's just a little odd, as if the leather in my nose's imagination was treated with a slightly non-standard set of tanning potions, or came from an unusual animal.

Checking the notes to see if I can solve the mystery, I see cardamom, iris old black, leather, woods, vetiver, Rhizophora tannin, amber, and incense. Maybe the Rhizophora tannin is the odd note that I can't nail down? (And what is iris old black? The root of a specific variety of iris or, as someone suggests, aged iris root? Or, as someone else listed the notes, did they really mean "old black leather"? Puzzles.)

As the scent develops, the leather steps back and the iris and amber come forward. It becomes quieter, a little powdery, and just a little bit sweeter, though I'd call it pretty dry at all stages. It's dignified, but not over-formal. I like this stage best - the wafts as I move are very satisfying.

The end reminds me of an observation made by Judith Martin (Miss Manners) about ice cream sodas: "The great paradox here - and fine art is full of ironic contradictions - is that the soda begins to disappear just as it reaches its perfect state." Just as Cuir d'Iris became a perfect wafty mix of powdery iris, sweet amber, and the faintest echo of rich leather, it was gone.  There's no trace, even sniffing right on the skin of my arm. Longevity isn't usually an issue for me - and it did last a good several hours - but I want more time with that perfect state.

Even so, if I were looking for an all day every day scent, this is one of the scents with the right characteristics. It's not too dry, not too sweet, and it shows gentle changes over time. Most importantly, it's one of the scents that give me the feeling that I smell nice - that my skin has somehow started to exude a lovely combination of iris and leather and incense. The scents that feel like they're part of me are a better candidate for that single scent than the scents that I'm very conscious of "wearing" as a decorative top coat over my skin.

Of course, that's all just moot musing, because there is no chance that I'll settle for one scent. But I like to maintain a mental list all the same.

Review Roundup: PereDePierre and The Non-Blonde and Basenotes and Nathan Branch and Perfume Patter.

Illustration: Wikimedia Commons.