Showing posts with label Tubereuse Criminelle. Show all posts
Showing posts with label Tubereuse Criminelle. Show all posts

Sunday, August 31, 2014

SOTD: Serge Lutens Tubereuse Criminelle. And many off-topic remarks.

(Actually, this was the scent of this past Monday, but I didn't get to the posting part of the post until today.)

Mmm, gasoline fumes.

OK, that doesn't sound good. Does "Mmm, mothballs" sound any better? At least mothballs aren't used as a mood-altering drug. I think.

This was my first Lutens bell jar. But I didn't go to Paris and buy a full bottle in a box. I ordered it from a decanter, with the last half ounce in it. The same for my second bell jar, half an ounce of Iris Silver Mist. That's the end of my bell jars.

What's my point? I don't have one. I'm just trying a SOTD post for old times' sake.

Of course, Tubereuse Criminelle is floral as well as petroleum. I seem to recall reading about oil-bearing grasses being raised for fuel. I imagine Tubereuse Criminelle being the scent of that grass's flowers.

Mmm.

Luckily, I'm not among those that get a rotting meat note from this. I love the weird, the chemical, the sweaty, the skunky, even a carefully tuned bit of the fecal. Rotting meat, not so much.

I've been thinking about starting a diary. See, on the one hand there are lots of things that are either too embarrassing or too boring to post here on the blog. And I often find myself wishing that I remembered certain things about my own past life. And sometimes I think that those memories might be useful for that theoretical book or books someday.

On the other hand, I struggle with the idea of all that writing never being read by any audience. Writing, to me, is communication, and how can you communicate when no one is ever going to listen? And, equal and opposite, I worry about the diary accidentally being accessed by someone and being read. It's a thicket.

Then again, it would be good for me to get over my addiction to being read. If I'm ever going to write a book, I'm going to need to write a whole lot of words that won't be read for a very long time. I should get used to that.

No, this isn't relevant to Tubereuse Criminelle. Probably. Except that the idea of resuming SOTD posts made me think of a diary.

Of course, a diary still would't be The Whole Truth. It would occupy some middle ground between what I'm willing to publish and what happens in my head. Does anyone really tell a diary everything that can be put into words?

I just deleted a paragraph in this post, because it felt off topic--the post seems to be about Tubereuse Criminelle and SOTDs and a dairy. So I deleted a spare paragraph about jewelry. Would I do that in a diary? Would I feel the need for coherent narrative flow?

Not that this is all that coherent.

Actually, I'm going back to jewelry. You've seen me thrashing around about clothes as my current phase of Being a Girl. But the problem with clothes is that a large part of the overall package is me. My shape. My posture. My movement and position. (Does it look OK when I sit down?) My shape. My maintenance. (Did I press it well enough? Are these shoes too scuffed?) My shape.

Yeah, that shape thing is an issue.

Perfume is less of a "me" performance. Especially for me, it's largely a consumption activity--usually, I apply so little that only I can smell it. And even when that's not true, I don't need to perform--I just make a choice in private, and the perfume performs independently.

Jewelry is a sort of middle ground. It's visible, so it's not all about personal consumption. But there's not much performance involved. Unless you have a pendant flirting with your cleavage or some such thing, the jewelry is mostly performing independently, like the perfume. My contribution, again, happens in private, when I make a choice.

Maybe that's why I'm moving on to jewelry--to challenge myself with choices. I'm no longer nervous about going out in public smelling like gasoline or mushrooms or a garage floor. But I am nervous about wearing those rhinestones with that Oxford shirt. Does it work? What do you think? It's a decision. It's a mild expression of taste. But still one that keeps me at a comfortable distance.

It occurs to me that I was more comfortable with "performance" decisions--clothes--in winter. Hmm. I guess wool tends to make one's shape feel less exposed.

Anyway. With perfume, I love the whacky. Now I'm trying to edge toward the whacky with jewelry. And someday I hope to get there with clothes.

Now, "the whacky" doesn't mean "Oh, my God, what is that thing crossing the street? Is it human?" It just means a step or two away from the completely safe standard. Ideally, the kind of thing that makes you turn your head and say, "Hmm. That's an idea."

That is all.

First Image: By Christine Matthews. Wikimedia Commons.
Second Image: Mine

Wednesday, March 9, 2011

SOTDays: Miscellaneous Tuberoses


Slacker! Me, that is.

OK, updating the perfume log:

Sunday was Tubereuse Couture. I enjoyed it very much; my taste for florals seems to be increasing, probably due to the spring weather.

Monday and Tuesday were sadly unscented.

Today I was hunting for something on a shelf and found a spray sample of Tubereuse Criminelle with the smallest drizzle left on the bottom. It took ten sprays to pump any of it out, but I can still very clearly smell it now, over ten hours later. I think that it's my favorite tuberose--definitely not the most wearable, but my favorite.

Thursday Update: This morning I noticed that the pre-shower 24-hour remnants of Tubereuse Criminelle have a distinct Little Kiddle note - a combination of plastic/rubber and flowers.  One more reason to love it.

Image: By Juni. Wikimedia Commons.

Sunday, October 17, 2010

SOTD: Serge Lutens Tubereuse Criminelle

I love this one.

The weather isn't quite right for it - it's better when it's blazing through crisp cold air, or trying to drown you when it's hot and humid. But I still love it.

It's flowers in a bad mood. Powerful flowers in a bad mood. Flowers flaunting their ability to smell like decay and fire and death. Flowers that are in no mood to suffer fools gladly.

I wonder what percentage of lovers of Tubereuse Criminelle are cat people?

Review Roundup: Is here.

Image: By Hannibal Poenaru. Wikimedia Commons.

Friday, June 4, 2010

SOTD: Several

Today started with modern Balmain Vent Vert. This is a scent that I tend to unfairly ignore, because it doesn't approach the glory of vintage Vent Vert. But it's lovely all the same, so why don't I wear it more?

Then I went to Alchemy Botanicals, again, to play with the Dawn Spencer Hurwitz perfumes, again. I re-sprayed Bancha, and while I still love the drydown, I found out that I'm not as big a fan of the first couple of hours. What to do? 

I re-sprayed Tubereuse, and it was, again, gorgeous. It starts out with a fog of tuberose candy mixed with gasoline, and, yes, that is a lovely thing, no matter how it might sound. The gasoline fades over time, leaving the tuberose candy, which is much nicer than other perfume candy.

I already have Parfumerie Generale Tubereuse Couture. I intend to buy Serge Lutens Tubereuse Criminelle. I think that there's at least one other tuberose perfume that I own or intended to own. Just how wrong would it be to buy this?

I also tried Prana. It's interesting. It's puzzling. I got a strongly animalic feel from it, even though it doesn't contain even one animalic note. I suspect that I'm smelling a combination of the cardamom and oud.  Sadly, over time the oud started to dominate, and I really don't like oud. But this perfume comes closer to making me like it than any so far, so I may give it another try.

So, Vent Vert sort of lost the spotlight today. Maybe I'll try it again Sunday.

Tuesday, January 5, 2010

SOTD: Serge Lutens Tubereuse Criminelle

Photo of an old gas pump in front of a steep-roofed building.
Today will be a busy and perhaps grumpy day. Tubereuse Criminelle seemed perfect.

Why is that? Is it because I used the phrase "gasoline-powered" about this fragrance recently, and I could use some extra power? Is it because on a grumpy day a purely beautiful fragrance seems wrong, seems as if it might be startled and hurt, all doe-eyed and wobbly-lipped, if I do get grumpy?

I don't know. And I'll running too fast to figure it out. But that's the fragrance for today, and I'm enjoying it very much.

Review Roundup: Is here.

Photo: By Oxyman. Wikimedia Commons.

Wednesday, December 30, 2009

SOTD: Serge Lutens Tubereuse Criminelle (and note reconciliation)

A painting, Albert Joseph Moore's _The Green Butterfly_, of a woman in yellow-green draping robes standing on a brick garden pavement in a thoughtful posture, with a butterfly fluttering on her left.
Remember when I didn't like tuberose?

I'm over that. So over it. I'm doing everything short of chasing tuberose perfumes with a butterfly net. Is this how it is when you and a hated note reconcile? Do you love that note more than the ones that you were able to appreciate at first sniff?

Of course, it helps that I always appreciated that tuberose was beautiful. The dislike was an association thing. I felt irritated, annoyed, crowded, even as I could perceive the marvels of the note. It appears that piling up enough positive associations, mostly with Tubereuse Couture, was enough to drown the dislike as if it had never been.

So, I'm holding my own private tuberose festival. And Serge Lutens Tubereuse Criminelle is a fine, fine festival exhibit.

The opening is challenging. People have compared it to Vick's Vapo-Rub or gasoline. At least one person (OK, me) has compared it to mothballs. The first time that I tried this fragrance, that put me off. That note skimmed off some of the beauty of the tuberose, and with tuberose on probation (at best) with me anyway, what's the point?

Now that tuberose and I are friends, I love the weird mentholated opening. It seems to add an edge of humor and an edge of, well, edge, to keep the flower from being purely Shirley Temple ruffles and batting-eyes pretty.

That anti-prettifying function is usually achieved in white flower perfumes with indolic notes, so this cleaner version is a nice change. It's similar in function to the green notes in Tubereuse Couture, but utterly different in the final result. It's strong, but also cold, smooth, solid, and a little distant - it's a presence, not a smothering blanket. It makes this a perfume that a (brave) man could wear, and I have a strong preference for unisex perfumes.

Much of the mothball weirdness wears off in the first hour, enough to let you see the tuberose clearly, but there's just enough of left to keep the perfume from being cloying.  Other things are going on, too - the listed notes are tuberose, jasmine, orange blossom, hyacinth, nutmeg, clove, styrax, musk, and vanilla.

I can faintly sense the spices and vanilla helping to bridge the gap between the flower and the mothballs. I'm guessing that the orange blossom and hyacinth are making the normally-indolic tuberose and jasmine a little cleaner and brighter.

I want. Tubereuse Criminelle is in the non-export line, so I'm going to have trouble getting my hands on it without going to France. But I'm sure that there are Ways.

Review Roundup: Now Smell This and Perfume-Smellin' Things and Bois de Jasmin and Sweet Diva and PereDePierre and For The Love Of Perfume and Perfume-Smellin' Things and Perfume Posse and Perfume-Smellin' Things again and Grain de Musc and Basenotes and MakeupAlley and Fragrantica and Eiderdown Press and Perfume Shrine and Perfumista dot org and Nathan Branch and Perfumum and FitForAFemme and The SF Examiner and Pink Manhattan (scroll down) and Perfume Nerd and Muses in Wooden Shoes and Scentsate.

Modified to add to the Review Roundup.

Image: Albert Joseph Moore, The Green Butterfly. Wikimedia Commons.