Showing posts with label We Three Kings. Show all posts
Showing posts with label We Three Kings. Show all posts

Friday, December 24, 2010

We Three Kings - Myrrh - Parfumerie Generale Querelle

So. Myrrh. Gold is happy and glittery. Frankincense is spiritual and serene. Myrrh?

Death. At least, that's my take on the major symbolism. Death and suffering. And what kind of third post is that, the day before Christmas? I'm not clear on whether myrrh was intended to comfort the sufferers, or just symbolized the suffering, like a smell that served the same purpose as a shroud or black funeral clothes.

I've been talking about my childhood self in these posts, though I can't claim that that was a plan. (I can't claim that I had a plan.) I remember the first death that I grieved, that of the retired policeman, infinitely tall and reassuringly wide, that supervised the crosswalk that I used to get to kindergarten--no doubt with Mom watching all the while, but I remember it as a daily journey on my own, my first foray out into the world.

He would talk to me and, amazingly, he got me to talk back, four-year-old me who was all but mute even with my kindergarten teacher. He died that year, and Mom quotes something that I said when I was told, probably something about Heaven, and definitely a protest against the idea that he wasn't coming back.

I don't remember the quote.  I do clearly remember the first day crossing the street with his replacement, a much younger man, perhaps a new recruit instead of an old retiree. He was bright and cheerful and efficient, putting the best face on a job that he no doubt hoped would be extremely temporary. He wasn't the least bit interested in pausing to wait for a tiny person to choke out something to say; I remember trying to get a verbal feeler out, trying to transform him into a substitute for "my" policemen, and him bustling brightly away before I'd even gotten started. I realized that no one was like my policeman, and that my policeman was indeed not coming back.

So that was death. To steal from that poem, I did not approve. I still miss him. I sometimes wish that I could send a decades-late reminiscing sympathy note to his family. He continued to populate my mind for a long time; I thought that Santa Claus must surely be like him, and perhaps one of the Three Kings, too, was a good man near the end of a life of responsibility, not just worshiping a King but reaching out to a child.

Now I've gone and made myself cry and, y'know, Querelle is good for that. Maybe myrrh was for comfort after all. The descriptive material on LuckyScent refers to this as "sensual", to use one of the milder adjectives, and apparently the namesake film is... well, I'm just not going there at all, because I get none of that from this scent. Querelle is a medicinal perfume to me, clean and sharp, with that protective feel that I get from Fou d'Absinthe, even though there's very little similarity otherwise. It is a bit inhuman, but in a sorrowful way, not a dangerous one. Comforting, and very peaceful.

And there ends my Three Kings week, on a sad note, but it's good to remember an old friend. For more of Three Kings week, please have a look at these lovely blogs:
And thank you, Krista and JoanElaine, for inviting me! I've enjoyed this very much.

Review Roundup: Basenotes and Fragrantica and Perfume Posse and Perfume Posse again and Smellbound and Perfume Patter and Snobby & Grouchy.

Three Kings Image: Three Kings Icon ©2010 Megan Ruisch
Crosswalk Image: By Susan Lesch. Wikimedia Commons.

Thursday, December 23, 2010

We Three Kings - Frankincense - Regina Harris Frankincense Myrrh Rose Maroc Perfume Oil

I didn't grow up associating incense with churches or religion. Neither the Unitarians on my mother's side of the family nor the Baptists on my father's favored that particular ritual. Both parents veered away from their family spiritual choices--Mom to the Methodist church, my father to the philosophy of Henry James--but that didn't get me any closer to smelling sweet religious smoke.

Incense, to me, was represented by those sticks that "hippies" bought in odd little stores. As a small child, I thought that they were actually illegal--which of course made them fascinating and romantic, but certainly nothing I'd ever buy, or even rummage through to read the names of the various scents. I was a painfully law-abiding child.

I remember having that same shocked respect for displays of beef jerky sticks. While they were no doubt legal--nothing sold in gas stations, the most unromantic places possible, could be otherwise--I always assumed that they would require dental equipment beyond that of a normal human, dental equipment that one acquired along with one's hunting license. Sometimes I wish that I could interview my childhood self to find out where she got this stuff.

My ignorance has been a handicap in learning to appreciate or understand incense-based perfumes. I'm sure that they have all sorts of cues for perfume lovers who can understand them--this one is classic church incense, that one is from India, this other one from Japan, and so on. Maybe combining cathedral incense with (for example) Japanese herbal notes would be a delightful surreal experiment in jarring contexts. Maybe olfactory incense jokes could even make a person laugh. I wouldn't know.

Now, if I'd thought of incense as being associated with fire, perhaps I would have crossed those boundaries, at least to the point of sniffing the sticks at the store. I love fire. I love smoke. I love the smell of a just-struck match. I always wished that I lived somewhere where it was legal to burn leaves in the fall. I'm delighted that Himself insisted on a fireplace when we remodeled the house.

We never had a fireplace when I was a child, so Mom sometimes allowed me to make tiny fires in baking pans or structures of aluminum foil, sitting at the kitchen table burning matches and toothpicks and melting Green Army Men. This sort of risk was utterly incompatible with Mom's normally safety-first philosophy. I suspect that she observed my love of fire and feared that if she didn't give it some condoned and supervised outlet, my awed respect for the rules would break down and I'd go playing with matches on my own.

I suddenly realize that there's a trend here. If you add Fourth of July sparklers, glorious things with a fuzzy legal status in the states where we lived, then to my childhood self fire and smoke was all about crime, romance and danger. No wonder I don't "get" the soaring serenity of Avignon.

And what about Regina Harris Frankincense Myrrh Rose Maroc Perfume Oil? Well, it's not what I expected. I thought that it would be a shadowy confusing tangle of scents; I imagined getting lost in it, chasing down the notes. But as it turns out, it's so thoroughly blended that I can't find individual notes. There's certainly some dark richness and smokiness in there, but the overall effect is almost comforting, rather than adventurous.

It's medicinal, but it's a "good for you" kind of medicine, not the kind that you take when you're actually sick. I can't tease out the rose, but I can sense it there, sweetening the bitter notes. And there's not that much bitter, really--maybe it's the oil form of this fragrance that's blunting all the sharp edges. I usually fervantly dislike myrrh and mildly dislike frankincense, but in this fragrance I like them both just fine.

And that's all I have for you in the way of a review; my incense vocabulary is simply not equipped to speak to this fragrance. All I can say is that I like it, even though I don't understand it.

And don't forget! Amble over to these blogs for more of Three Kings week:

Review Roundup: Fragrantica and Basenotes and Nathan Branch and Perfume-Smellin' Things.

Three Kings Image: Three Kings Icon ©2010 Megan Ruisch
Incense Image: Wikimedia Commons.

Tuesday, December 21, 2010

We Three Kings: Gold: Comme des Garcons 8 88

I grew up hearing the Nativity story at Christmas. I heard it in Midwestern Methodist churches, in books, and in Linus's voice in A Charlie Brown Christmas. Linus's rendition had the greatest impact on me, by far--should this worry me? It still affects me, even in my agnostic adulthood. I can conjure up his voice right now.

Linus never got around to discussing the wise men or the gifts, as far as I can recall. If he had, maybe those gifts would have made sense to me, but as it was, my response was "frankinwhat?" I remember thinking that frankincense and myrrh were something stinky and oily, and I was surprised to discover, later, that I wasn't too far from the truth. But while a little oily scenting is all very nice for a baby already living in a warm dry house, it seemed rather beside the point for the whole hay-and-stable situation.

Gold, on the other hand, gold made some sense. Not all that much sense; I wanted to hear, instead, that the kings had thought to spend some of that gold to provide some immediate practical gifts, maybe hot food and silk-and-feather comforters like those that Ram Dass left for Sara Crewe in A Little Princess. And, yes, the fact that I combined the Bible and children's chapter books as two elements of one big tapestry suggests that I didn't absorb that whole religion thing in quite the way that the church hoped.


But I conceded that a king facing a being that was heralded by a whole new star would feel the need to make an appropriate gesture, and pressing gold and sacred oily things on that being might seem just right. Even if a fire, tea, and hot buttered toast for Mary would be more useful.

(I suspect that a Sunday school teacher from my past is feeling a sudden pang of failure right about now, but doesn't know exactly why.)

Toast aside, gold is something to catch the imagination. It's wealth. It's royalty and pirates. It glitters. It doesn't decay, it doesn't dissolve. But it's also soft, a near-indestructible material that's nevertheless amenable to changing form based on a craftsman's imagination, so it seems more ours than hard, brittle jewels. You admire jewels; you fondle gold.

This was supposed to be a perfume review, wasn't it? All right, then: What should gold smell like? Do I agree with Comme des Garcons that 8 88 is a successful olfactory portrait of the stuff?

Only for a moment. Somehow, I expected Comme des Garcons to take a high-tech view of gold, cold and minimalist. I was wrong. 8 88 starts out girly, all mellow buttery flowers and a hint of fruit, with just a bit of an edge that, yes, seems a bit metallic. I think it's the saffron. The butter and fruit faded in less than a minute, leaving a nonspecific impression of brightness and warmth blended with the metallic saffron. That phase, lasting two or three minutes, was a pretty good impression of gold, though it lacked the sparkle that would make the mood complete.

After that, the last of the friendly warmth was gone and 8 88 developed into a cool, dry saffron perfume, no longer the least bit girly, with a woody note that grew as the hours passed. I like it; it might beat Washington Tremlett Black Tie, my previous favorite for the note, in a saffron faceoff. But saffron is not gold; gold must glitter, and 8 88 does not.

For more of We Three Kings week, please head for these fine blogs!
Review Roundup: Perfume Posse and  Perfume Posse again and Perfume Posse yet again and Fragrantica and Basenotes and Now Smell This and MakeupAlley.

Three Kings Image: Three Kings Icon ©2010 Megan Ruisch
Gold Laurel Wreath Image: Wikimedia Commons.

Thursday, December 16, 2010

We Three Kings Joint Blogging Project

 

I was invited to participate in a joint blogging project! Bwahaha!

OK, maybe the evil laugh is inappropriate for Christmas. The project is We Three Kings, and the plan is to post about three scents, one each representing gold, frankincense, and myrrh. I can't wait to see what I'm going to say. The posts will be coming during the week of the 19th to the 25th.

The other fine and perfume-infused bloggers participating are:
Go read 'em!

Image: Three Kings Icon ©2010 Megan Ruisch